Singin' In The Rain:
In 1927, Don Lockwood and Lina Lamont are a famous on-screen romantic pair. Lina, however, mistakes the on-screen romance for real love. Don has worked hard to get where he is today, with his former partner Cosmo. When Don and Lisa's latest film is transformed into a musical, Don has the perfect voice for the songs. But Lisa - well, even with the best efforts of a diction coach, they still decide to dub over her voice. Kathy Selden is brought in, an aspiring actress, and while she is working on the movie, Don falls in love with her. Will Kathy continue to "aspire", or will she get the break she deserves?

My Fair Lady:
Supremely assured phoneticist Professor Henry Higgins wagers that under his tutelage, cockney flower girl Eliza Doolittle can pass for a duchess at the Embassy Ball. Lerner and Lowe's musical is based on the play by George Bernard Shaw.

Calamity Jane:
Deadwood, Dakota Territory, is largely the abode of men, where Indian scout Calamity Jane is as hard-riding, boastful, and handy with a gun as any; quite an overpowering personality. But the army lieutenant she favors doesn't really appreciate her finer qualities. One of Jane's boasts brings her to Chicago to recruit an actress for the Golden Garter stage. Arrived, the lady in question appears (at first) to be a more feminine rival for the favors of Jane's male friends...including her friendly enemy Wild Bill Hickock.

An American In Paris:
When producer Arthur Freed decided to film a Technicolor musical utilising the George Gershwin songbook, he could not have predicted he would win the 1951 Academy Award for Best Picture, or that his star Gene Kelly would receive an honorary Oscar for advancing the art of choreography on the screen. Kelly plays a struggling artist in post-war Paris, befriended by sourpuss Oscar Levant and Gallic charmer Georges Guetary. To partner him in dance, Gene picked a virtual unknown from Roland Petit's “Ballet in Paris”: Leslie Caron in her movie debut.